The San Antonio Art Walk takes place on the last weekend of this month (February). San Antonio is the neighborhood in San Miguel with the largest population of working artists. There are now 65 artists who are taking part in this annual event. Sixty-five! How many visitors can be expected per studio? Not that many. My guess is that some studios will get a lot and others not many at all. That's usually how it goes.
These artists have formed some kind of association, with dues and by-laws and the delegation of tasks such as sending out press releases and coordinating of their preview party which this year is being held at a hotel (that's a lot of wine and a lot of pre-event kissing up and schmoozing with potential buyers -- my idea of hell on earth). Sounds like there's a lot of money and work involved for a two-day event with only a remote chance for sales. Personally, I prefer my independence and loathe being part of a club that will put demands on my time and involve a lot of politics. I hate politics. You can't have an organized group of 65 people without rules and fees and politics.
But here's the worst part -- these artists have nothing in common except for the fact that they all live in the same neighborhood. They are not like the Impressionists, the Post-Impressionists, the Symbolists, the Surrealists, the Pre-Raphaelites, or, for that matter, the artists of the Italian Renaissance, because they are not united by a common set of principles, a common vision, or a raison d'etre of any kind. All they have in common is the fact that they live in the same neighborhood and want to sell art.
If artists are going to form associations, they should be based on supportive
friendships and common beliefs, and they should be free of any business
encumbrances. Money will poison the good fellowship of a group of creative
artists. When money is involved in an enterprise of any kind, people become
more selfish and the dynamics of power come into play. In this respect, artists
are no different from other people.
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